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Written
by Aaron Ellis, posted by blog admin
Sarah
Donner’s electronica project, Kittens Slay Dragons, is definitely s departure
from the folk offerings she has customarily served up for listeners. The ten
song collection covers a remarkable amount of stylistic ground despite
confining itself to a musical style not often associated with moments of
expansive beauty. The electronic side of Big Big Heart radiates genuine warmth and
musicality that experienced listeners, perhaps, may not expect when they dive
into Big Big Heart for the first time. Much of the album’s success can be
rightly subscribed to the power of Donner’s voice to overcome any musical
backing. Her voice is the guiding force behind this release, much more than any
electronic backing, and brings listeners into each song with much in the way of
preamble. Big Big Heart is equal parts enlightening and entertaining.
“Gatekeeper”
is an outstanding beginning to the project. There’s a wellspring of emotion
coming from Donner’s voice that’s impossible to ignore and it’s juxtaposed
against an electronic backing track that’s bright, warm, and lively. It’s an
excellent introduction to the style of the album and its consistent strengths.
The shimmering synthesizer opening to “Smile Pretty” helps sets the stage for
one of Big Big Heart’s best numbers. The slowly developing vocal melody plays
quite well off against the kinetic electronic backing and she once again
invests a style not typically known for its emotive depths with a voice that
aches, yearns, and hits its mark each time out. The throbbing synthesizer cloud
opening “Love Is Surgery” is soon joined by a steady pulse and lightly colored
synthesizer fills lay over top. The vocal melody is relatively simple, but
draws you in immediately; it’s the chorus, however, that finds Donner’s vocal
reaching the song’s peak, but it’s handled with artful restraint. The title
song is much more remarkable in every respect. Donner’s dream-like vocal melody
has a graceful lilt lacking from even the finest tracks elsewhere on this album
and when she unleashes the full force of emotional power, the song benefits
even more. There’s some discreet backing vocals incorporated into this song
that further sweeten the performance.
“Queer
and Square” has a fat bass thud and swirling synth lines as a setting for one
of Donner’s most emphatic vocals. She conjures a genuine bite for this number
that she bears down on even more with the song’s chorus. The late album track “Symbols
in the Sky” has a stronger groove than anything so far on Big Big Heart, but
she never neglects making melody an important facet of the song’s success. “Eggs”
is another surprising cut. Electric piano dispels the synthesizer spell hanging
over much of the album and represents one of the best pieces of writing on this
recording. Her vocals bring the same mix of technical excellence and
impassioned self-expression that define many of the other songs, but it’s even
greater here and she’ll leave many feeling rather breathless by her virtuoso talents.
Kittens Slay Dragons’ Big Big Heart is one of the best electronica based
releases in recent memory and has the sort of vulnerability coupled with
immense artistry we’re lucky to find on any modern album.
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