OFFICIAL: http://elliotschneidermusic.com/
Written
by Mike Yoder, posted by blog admin
Elliot
Schneider took the scenic route to making memorable music nearly two decades
into the 21st century, but you finish Don’t Put All Your Eggs In One
Basketcase believing he wouldn’t have had it any other way. The release is
accompanied by some supplementary material intended, one would guess, to place
Schneider’s life experience and musical education in the proper perspective and
they are worthwhile listens, but the real meat on this release is the eleven
songs constituting his latest studio album. These are tracks filled with
sustained flashes of poetry, a firm command over a variety of rock and roll
styles, and an assured vocal presence that deepens the emotional and occasional
comedic aspects of the album. This is Schneider’s fourth solo album and finds
his own dramatic and wildly improbable personal story evolving with all the
unpredictable twists we discover in his music and, particularly, wordplay.
He
announces the album’s excellence with tangible fanfare on the opening song “The
Moon Has Flown Away”. There’s a quasi post-apocalyptic air to the song that he,
thankfully, never overemphasizes and the pleasing musical accompaniment and
likable vocals temper the lyrical darkness just enough without ever neutering it.
“Diehard Killjoy” and “Lost on the Radio” take on a traditional rock and roll
pose to two distinctly different ends – the former exhibits some of Schneider’s
capacity for slightly cynical sense of humor while the other engages him in a
bit of nostalgic reflection without ever risking sentimentality. His vocal on “Diehard
Killjoy” manages to invoke both the light comedic elements and the speaker’s
obvious disdain for the subject. “Are We Only Dinosaurs?” serves up some more
of his quirky, distinctive sense of humor, this time shorn of the
aforementioned song’s cynical bite. It has a nice uptempo thrust that never
gets carried away with itself and some especially tasteful guitar work.
The
big, ringing guitar chords and warm multi-part harmonies of “In a Sense
Innocence” gives a pleasing veneer to another deceptively simple musical
arrangement and lyric. The effortlessness behind an effort like this is totally
beguiling – the track sounds like it sprang full borne from Schneider’s
imagination, but we can only imagine that this is one of the more satisfying “tricks”
on an album that makes everything sound off the cuff and utterly natural. He
reverts to a classic rock stance once again for the track “Overruling
Neo-Fascists”, but it’s spiked with an unexpected amount of fist waving
attitude that Schneider hits just the right note with. Multi-part vocal
harmonies play a key role once again on the song “First Day of Summer” and the
folksy qualities of the performance and musical arrangement slot quite nicely
near the album’s end. Another of the indisputable jewels on Don’t Put All Your
Eggs in One Basketcase comes with the finale “I Just Don’t Really Know If You
Exist”, an improbably titled stab, once again, in a folksy direction, but the
lyrical content is obviously a little more unsettled. Schneider contrasts the
slightly askew lyrical perspective with a straight forward and rather beautiful
vocal performance. It is a shame we are not discussing this album in a scenario
where Schneider has enjoyed a long and visible career in the music business and
celebrating his fifteenth album release or more, but sometimes great talents
are heard when it’s time to hear them. Elliot Schneider’s path, thankfully, led
him back to recording music again and we are better for it.
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